On Thursday I went to LACMA to see Steve Martin talk about art. Dave Hickey, his interlocutor, had a hard time keeping up — but who can share a stage with Steve Martin? I wrote about it for Jacket Copy, and then the piece appeared in Saturday’s paper. Here’s how it starts:

If the events of a certain November 2010 night in New York City hung over LACMA Thursday, they did so not as a dark cloud, but as a punching bag.

The occasion: Steve Martin — actor, director, banjo player, author — in conversation with noted art critic Dave Hickey. The subject: Steve Martin’s book “An Object of Beauty,” and, by extension its subject, art and the art world. The rub: a similar conversation at New York’s 92nd Street Y in November did not go well, to the extent that a note was delivered to Martin’s interlocutor on stage asking, essentially, that they stop talking about art so much.

“It made New Yorkers look really bad,” said Jillian Spence, sitting in the front row at LACMA before Thursday’s conversation began. She’d come to get a copy of Martin’s book signed for her father, a big fan who is very ill; when she was a child, they listened to his comedy records together. A New Yorker herself with a tangible accent, she is a member of the 92nd Street Y — “an active, embarrassed member” who said people should expect Martin to talk about his book — “or you shouldn’t be here.”

The sold-out audience at LACMA knew what to expect, and included comedic luminaries Martin Mull, Ricky Jay, Eric Idle and Carl Reiner. The event, part of the 15-year-old peripatetic Writers Bloc author conversation series, was introduced by the organization’s Andrea Grossman. “We in Los Angeles want to hear Steve Martin talk about art!” she said to a round of applause.

There’s more here. I even cornered the oh-my-god-so-cool Carl Reiner and asked him what he thought.

Last week The Paris Review posted my Culture Diary on their blog — parts one and two — which proves that as an LA-based bookish reporter I sometimes get up outrageously early, and that really most everything I do these days seems to be around books. (I went to LCD Soundsystem at the Hollywood Bowl! I swear!)

The picture above isn’t from that week: it’s from the LA Archives Bazaar, which was held Saturday morning at USC. Close to 80 local archives (!) had tables set up in the Doheny Library reading room. There were also panels and discussions, but I was covering the Beverly Hills Literary Escape most of the weekend, and didn’t have time to linger. Instead, I gathered up flyers from places like the Metro Dorothy Peyton Gray Library & Archive (transportation research) and for events like the Sixth Annual Kenneth Karmiole Lecture on the History of the Book Trade – Bankruptcy and the Eighteenth Century Book Trade, a lecture at the Willam Andrews Clark Memorial Library (I’m SO going to that. I’m not kidding).

It was nice to see the reading room buzzing again. A zillion years ago, when I went to USC — and when I was a dropout who haunted the library — I’d read there sometimes. Last year, though, I was on campus and stuck my head in, and it was cavernously empty. It made me wonder how well the space gets used, now that students can do so much research (not all!) on the internet. Doheny is beautiful, though — if the students don’t want to use it, this alumna would be happy to take up a corner reading.

That’s the view from the Soho House in Los Angeles, with downtown LA off to the southeast. I talked to James Ellroy there yesterday afternoon for a lovely book club session on the semi-outdoor terrace, which was semi-sweltering yet entirely grand. The terrace includes a reflecting pool and olive trees, which is sort of marvelously sci-fi when you’re 15, 20 — how many floors up? It’s hard to say, as when you get into the elevator to go to the Soho House there are only two buttons, the button for the club and the one to return you to the basement parking.

The bust of Beethoven isn’t always there. That was special for the event.

Thanks to Tyson Cornell for producing and Mr. Ellroy for being the one and only Mr. Ellroy.

Although yesterday began grimly, it ended well. Jonathan Lethem read at the LA Public Library’s ALOUD series, and answered questions, and was kind enough to hang out for a cocktail afterward with people who’d paid a small fee. I interviewed him on Friday for Jacket Copy, over the worst Skype connection ever, so it was nice to hear his voice without an echo and meet him in person.

I went to the cocktail thing, but the room was too sit-down-y so Chris and I headed to the bar to grab drinks, hoping people would mingle soon. I sat near a tall man, who agreed that he didn’t much like the room either. He ordered food, and then his friend showed up; as they were talking and we were talking Chris recognized the friend. We exchanged a few words with him, as he and the tall man were leaving. Which would be entirely unremarkable, really, if he hadn’t been John Taylor from Duran Duran.

The 15-year-old me is still screaming. On the outside, though, I’m going to try to be cool.

Last night, after catching a reading that’s related to a piece I’m working on, I headed to the Barnes & Noble at The Grove — not my regular stomping grounds, but that’s where Richard Castle was signing his new mystery novel. Castle, as some TV watchers know, is a fictional character who writes detective fiction; despite his non-existence, he’s managed to write a real-life book, Heat Wave. The Amazon page is fiction itself:

Mystery sensation Richard Castle, blockbuster author of the wildly best-selling Derrick Storm novels, introduces his newest character, NYPD Homicide Detective Nikki Heat. Tough, sexy, professional, Nikki Heat carries a passion for justice as she leads one of New York City’s top homicide squads… Richard Castle is the author of numerous bestsellers, including the critically acclaimed Derrick Storm series. His first novel, In a Hail of Bullets, published while he was still in college, received the Nom DePlume Society’s prestigious Tom Straw Award for Mystery Literature.

Because of course there is no Richard Castle, so he couldn’t have written anything. Why, then were there close to 400 people lined up to get his books signed, many clutching two or more copies?

I have to guess it’s because Castle is played by Nathan Fillion. That would be the same Nathan Fillion that Joss Whedon has cast in Serenity/Firefly, in Dr. Horrible, even in Buffy the Vampire Slayer. Whedon creates super-fans, and Fillion — funny, hunky — seems to be irresistible. He has more than 190,000 fans following him on Twitter, and when he tweets about grammar — well, it’s enough to make a bookish chick like me swoon.

Anyway, the Castle book is a mystery. Who exactly penned Heat Wave? It couldn’t be Castle, because there is no Castle. It probably isn’t Fillion, because, despite his grammar skills, he’s busy acting. It might be one of the show’s writing staff, which would be cool, because many of the TV writers I’ve met want to write books. Or maybe it was just a ghost-for-hire who’s taken their pay and walked away.

But keeping the signings as they are makes sense: Castle may be charming, but people are queued up for a few minutes with Nathan Fillion. Who, from what I could see, is gracious, friendly, chats with kids and doesn’t mind posing for photos. Just like Captain Hammer would…

Ben Greenman, who I get to needle and prompt at Vroman’s tonight, is on book tour for his new novel “Please Step Back.”

And to let the world know what a book tour means for Ben Greenman, he penned this Tour Rider that’s up at McSweeney’s.

Bookstore agrees to provide and maintain three (3) backstage preparation rooms. They shall be comfortable, well lit, and entirely free of books other than the Author’s books. Rooms must be climate-controlled to dry heat so that the Author’s reading voice (which will henceforth be referred to as his “instrument”) does not get scratchy or phlegmy. Employees of the Bookstore must never use the word “phlegmy” in the presence of the Author, as it may make him vomit, which would damage his instrument. The same goes for the word “vomit.”

Allrighty them. See you there, my clear-throated friends.

I love me some LA times festival of books. I’ve been soaking in it all day, and I think the panels will be great, the stages, the crazy big campus, the authors riding on golf carts, the nighttime events, the quiet mornings, great great great.

But then it’s over, and our literary lives in LA must go on. Mine, fortunately, will be going on at Vroman’s, where I’ll be interviewing Ben Greenman at 7pm on Tuesday, April 28.

Greenman — I can’t call him Ben yet, I haven’t met him. Although I will, at the festival, where I’ll be moderating a panel he’s on — hang on, focus. Ok. So. Greenman is an editor at the New Yorker, and he’s the author of a pile of books playing with pop culture and the brilliant booklike project “Correspondences.” I’d call his new book, “Please Step Back,” a kind of musical fable. It follows the path of Rock Foxx and the Foxes, a band which bears no small resemblance to Sly and the Family Stone.

Writing about music is insanely hard — like dancing about architecture or swimming about politics — but Greenman succeeds, I think, using resonant, uncomplicated metaphors and carefully-weighted sentences to bring the pop and soul and funk of the music of the sixties and seventies to life (but it’s WAY more fun than that sounds). It’s all through the world of a regular-enough guy who becomes a brilliant, progressively more fucked-up musician.

After blogging so much for the LA Times, it is inordinantly fun to type the word fuck in a blog post.

Did I mention we might have a boom box at Vroman’s? How can I get it to play my Sly Stone vinyl?

Ok, right, focus. Vroman’s is in Pasadena; we’ll be in the upstairs reading area. The event begins at 7pm on Tuesday night. It’ll be hot fun in the springtime. Come.

“Exercising the blogging might help curb the desire to pollute Twitter,” Young Manhattanite writes. While I would like to think my tweeting has low levels of toxicity, it’s clear that the blogging needs a little exercise.

I reviewed Nothing Right by Antonya Nelson for the Barnes & Noble Review, which went up this week.

the stories here are, in one way or another, about a time of in-between. It’s not what we’re trained to expect from short stories, which with their compact size are built for speed, tight epiphanies and decisive character change. But Nelson — the author of three novels and raft of carefully wrought short stores — works against that convention in this new collection. She’s going for the moments where nothing really happens, or when we have to live with the consequences of what has happened before…. Like less whimsical versions of Tom Stoppard’s Rosencrantz and Guildenstern are Dead, Nelson’s stories dwell in the spaces that fiction typically skips over.

Quoting myself is lame, but it’s slightly better than paraphrasing my own writing. Other book reviews and whatnot are pending elsewhere; more excerpts on the way.

The LA Times Festival of Books has posted its panels schedule, and I am thrilled to pieces to be moderating two:

On Saturday, April 26, at 12:30 (it says AM; I hope it means PM). Enough About You
Moderator   Ms. Carolyn Kellogg
Mr. Tod Goldberg
Mr. Seth Greenland
Mr. Ben Greenman

Three very funny guys; I’ve read some of their work but I’ll get my hands on the latest tomorrow. But basically, my job on this panel, as I understand it, is to be Gracie Allen — which shouldn’t be a stretch at all, as I’m two inches taller than her. Ba-dum-dum. Thanks folks, I’ll be here all week. I won’t, actually; I’ll be in Young Hall CS 50 for that panel and then elsewhere. Including:

Korn Convocation Hall on Sunday at 3:00pm: Fiction: Closing Time
Moderator   Ms. Carolyn Kellogg
Mr. Robert Boswell
Mr. Patrick DeWitt
Mr. Wells Tower

Wells Tower’s debut collection is hothothot — and is fortuitously titled “Everything Ravaged, Everything Burned”; Patrick deWitt’s “Ablutions: A Novel” is praised by Luc Sante and Salvador Plascencia. And I’m not sure if I’ll get to read Robert Boswell’s novel “What Men Call Treasure” or “The Half-Known World: On Writing Fiction” — I wager it’s the novel, but either would make me very happy.

And holy moses, I just discovered Robert Boswell is married to Antonya Nelson. Let’s hope they didn’t hate the review.

The Southern California chapter of the Mystery Writers of America invited me and Kassia Krozier and Lise Friedman, field rep for Macmillan, to talk about the future of publishing at a brunch today. Denise Hamilton, our moderator, steered us toward talking about how authors can navigate the world of new media, which was a little more manageable than trying to predict the future. Although on that front, Kassia was all pro-ebook and I was pro-paper, in case you were wondering. Everyone was awfully nice, and the brunch, at The Smoke House, a 1940s-era restaurant that I was sadly ignorant of (such is my unfamiliarity with the Valley), was entirely delicious, if you skipped the sushi.

While I was getting a churro and dipping strawberries in the chocolate fountain, Andrew Sullivan found a post of mine on Jacket Copy that struck a chord. Thanks for the link, big guy.

On Thursday night I went to see Ben Ehrenriech and Etgar Keret at the LA Public Library’s ALOUD series. They were in conversation with the topic, “Is reality overrated”? Easy to answer in a month when stock markets around the world have tanked, yadda yadda. Surreality, it was easily agreed, is much better.

“The times are very difficult to live in, but easy to write about.” That was Keret. I think he was quoting, or paraphrasing someone. But he said many insightful and funny things of his own. Describing overly-perfect art versus messy genius, he described Bob Dylan’s voice as that of “a choking crow” — but you’d still rather hear it than an American Idol contestant’s pitch-perfect cover.

Someone asked Keret a question that I sounded pretty dumb: since he’d written about suicide (his story “Kneller’s Happy Campers” was the basis for the film Wristcutters), did he have any personal experience with it? Geez, I thought, fiction means it’s made up. But I was wrong.

“My best friend killed himself during Army service,” Keret said. People who know his biography have probably heard this before, but it was news to me. They’d stay up late nights talking about life and whether it was worth living, then his friend decided it wasn’t. “Writing for me,” Keret said, “is the answer for why I’m living.”

I did take pictures. But I can’t find the cable that connects my camera to my computer.

Instead of Etgar Keret and Ben Ehrenreich, I’ve got a picture above of an orchid in my father’s Florida greenhouse. I can never remember which is what — this one might be a paphiopedalum. If it isn’t, it’s a good word, anwyay: Paphiopedalum.

Good words. Reasons for living.

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