That’s my mom at age 13 in 1955. The name of the cat is long forgotten.

I know it comes between covers and is sold in bookstores. But it’s not a book, it’s a celebrity media push. Maybe it’s a campaign advertisement. Maybe it’s a talk show audition. Maybe it’s a prelude to a line of “you betcha!” ladies huntingwear — who knows. But whatever it is, “Going Rogue” is not a book in the way we book people think of books.

Have I read it? No. I’d rather read Edmund Morris’ “Dutch: A Memoir of Ronald Reagan,” even though it’s a) about Ronald Reagan and b) has a questionable historical fiction conceit. Because at least that was a book.

I’ve been doing a lot of interviews lately for Jacket Copy. The latest, with Colum McCann — conducted all of yesterday — is up now on Jacket Copy. Not only is Colum McCann an accomplished writer — his “Let the Great World Spin” is nominated for a National Book Award, the occasion for the interview — but he’s got lots of interesting things to say; he’s thoughtful about about writing and about the writer’s place in the world. He told me one of his favorite authors is John Berger (which I kind of loved), and also that I really ought to read E.L. Doctorow (since I haven’t).

While it is no fun getting up before dawn to transcribe — which is exactly what I did this AM — I have to admit that I do love getting the chance to talk to amazing writers, and, even if I’m sleep deprived, I’m really lucky. Now, off for more coffee.

I consumed Jonathan Safran Foer’s book EATING ANIMALS very quickly, mostly because I had less than 24 hours between the time I got my hands on it and our scheduled interview. It is, I must warn you, difficult to read while eating, even if what you’re eating is a plate of entirely meatless potato perogies. There is just no way to read about factory farmed chickens and not want to swear off eating anything, at all, ever again.

I don’t eat much chicken, because it’s pretty gross. But I do eat pork chops and bacon (mmmm, bacon); I make and eat delicious hamburgers; I buy spicy sausages and a nice hunk of tri-tip when I can find them. Frozen shrimp, fish, and cans of tuna. I eat sushi with gusto. Salmon skin? Bring it on.

It’s been more than a decade since I gave up being a vegetarian. I was solid veggie for two years, but I was blacking out a lot, and dreaming of cheeseburgers, which I took to be my body telling me that I needed more iron than spinach and tofu were giving me. So I did one year on, one year off — it gave me a resolution, and I stuck to it. In my world, fish were as off limits as cows (the distinction makes no sense to me still), but cheese and eggs were OK, because no animals were killed for them.

Part of my vegetarianism was health-related — we all know too much red meat isn’t good for you — and part of it was my conscience. I turned veggie the first time I drove past a cattle truck on a highway somewhere in the middle of America. You know what those trucks are like? The cows are stacked double-decker in metal cages; driving past, you can see their noses and haunches, the splatters of cowshit smattering the lower cages and those toward the back. Were they going to slaughter? Or just farm to farm? I had no idea. Neither did they, just that they were suddenly whipping down a highway one above the other at 75 mph.

Foer doesn’t write about this in his book — what he writes about is worse. The conditions of factory chickens, turkeys and pigs, who are barely recognizable as the farm animals we picture. How a slaughterhouse works, and how the trauma of killing animals on an assembly line turns normal people into sadists.

But it wasn’t that parade of horror that reminded me that I was once a vegetarian for a reason, and that I do care about that reason.

It was a list. On page 49 and 50, Foer lists the creatures that are swept up in tuna nets. Before I got to the end of the more than 100 fish, mammals and birds that die in tuna nets, I thought, I can’t be responsible for this. I can’t kill all those creatures because I like a good piece of sushi, because a tuna salad sandwich is a comfort food that goes back to childhood. I’m not interested in turtles dying, I’m not interested in killing an albatross that’s in the wrong place at the wrong time.

It’s possible to fish without enormous nets, it’s possible to raise and kill animals to eat in a way that’s not cruel. And those are going to be the only meats I eat from now on. If I can’t be sure, I’ll skip it.

Don’t get me wrong — I like meat. I REALLY like bacon, steak and New England lobster. I dreamed about cheeseburgers, for god’s sake. But I’ll only get those things when I know they’re humane.

If you’re a foodie and you don’t read this book, you’re not a foodie. And if I tried to tell you about this book and you tell me you don’t want to hear it, well, I think I know what you’re getting for Christmas.

I could have sworn I had another week. But I bought the ticket to see John Irving and never put the details in my calendar, so when he was across town being interviewed I was sitting cozily at home, reading. Clueless.

Perhaps I was slightly distracted by my fabulous orchid. When the American Orchid Society held its conference in town recently, my dad, who’s a judge, came into town (I managed to get his flight info into my calendar) and showed me around. He helped me buy some orchids that should be happy in the LA weather, including this one. I love its crazy spidery blossoms, which opened up during a sweltering day. I don’t know its name.

And I feel like I should — my family is given to taxonomy. My grandmother kept an Audubon book or two next to a set of binoculars near her picture window, to figure out exactly what each bird was. Naming the bird was as vital as watching the bird. So, too, walks through the woods would involve the names of trees, of bushes, of creeping vines. I can tell you how to distinguish Poison Ivy (shiny leaves that come off the stem in threes), although I suppose anyone who went to summer camp can do that, too. But anyway, I feel like I ought to know the names of things, like this orchid, but all I can do is show it to you.

© 2010 carolyn kellogg Suffusion WordPress theme by Sayontan Sinha